star trek: planet of the titans
Bryant and Scott went away and wrote up a 20-page treatment which took the idea of a cinematic Star Trek and ran with it. (The Making of Star Trek: The Motion Picture, p. 31) As well as the reactions of jubilation, there was also a sense of public confusion over the revival of Star Trek. In the below excerpt, learn about Star Trek: Planet of the Titans, one of many attempts at a relaunch through the beloved feature films. At about the same time, he was also called upon to compile a list of potentially suitable directors. The Klingons also want to claim the planet. (Star Trek Creator: The Authorized Biography of Gene Roddenberry, p. 435), Kaufman's script was never completed, as Paramount pulled the plug that May, just weeks before the release of Star Wars. (Star Trek Creator: The Authorized Biography of Gene Roddenberry, pp. [4](X). (Star Trek Phase II: The Lost Series, p. 2), Jon Povill turned out to be right to have thought none of the directors he had suggested would be available, at least not for the amount of script money they could make by taking part in this medium-sized film project. Also it was Meddings who came up with the idea of using model parts on the miniatures to give them a sense of realism, he did this back in the early sixties. (Starlog, issue 3, pp. Roddenberry had liked Bryant’s and Scott’s take on the character of James Kirk and they wrote a treatment for a film called Planet of the Titans, which was delivered in October 1976. I’m sure the fans would have been upset, but I felt it could really open up a new type of science fiction. (Starlog, issue 7, p. 32) Neither Bryant nor Scott had ever written any science fiction before, but their enthusiasm and eagerness to learn made up for their lack of knowledge about the genre. Actually I wonder if they used this plot for a DS9 episode, where the crew was trying to escape the gravity of the planet then to find a colony of their descendants living there after they accidentally traveled 200 years in the past. By then, expenses were mounting, so the studio was forced into either making the film on the basis of this story or scrapping it altogether. The ship arrives at the now partially visible planet and is trapped by a forcefield surrounding it. The artist for that piece was Derek Meddings, of Thunderbirds fame. He then listed seven directors: Francis Ford Coppola, Steven Spielberg, George Lucas, Robert Wise, William Friedkin, George Roy Hill, and Norman Jewison. (Starlog, issue 7, p. 32) Their arrival meant Jon Povill had to vacate his office for them to move into it. The strangers were led by an old man, whose name was also James T. Kirk; he was actually the son of Kirk and one of the female officers from the Enterprise (whom Kaufman suggested might be Uhura). Their outline was planned to be eight to ten pages in length, for which they would be paid US$12,500, plus more for the first draft script and revisions. Still, Roddenberry confederate Assistant Producer Jon Povill kept him, against the wishes of the studio, abreast of the production by continuously consulting with him. Since then, all the other Last Men had unfortunately been tracked down and exterminated. Meanwhile, Spock planned to leave Starfleet and return to Vulcan. Trellium-D, shown in Star Trek: Enterprise, was an alloy used in the Delphic Expanse as a protection against spatial anomalies there. Real World article (written from a Production point of view) Star Trek: Planet of the Titans (alternatively called Star Trek: Planet of Titans) was to … Ralph McQuarrie, who had just before worked on Star Wars, was attracted to design the new Enterprise. Running through the forest, they found a huge spider-like being, which appeared to be part animal, part electrical, and part plant. Make-up artist Rick Baker was in discussions to work on the film's make-up. You have to remember that these sketches were meant to be vague and give a direction for the miniature team to go. [2] One of the models is partially visible behind the interior hub of the spacedock in Star Trek III: The Search for Spock, when the Enterprise enters. The son himself related that the monstrous spider-like creatures had clearly taken over the planet Earth and sent their own thoughts through time in order to lure men, from various time periods, here. Anyone notice how similar the Enterprise concept art is to the new Discovery federation ship in the new Star Trek Discovery series trailer? This Star Trek film, written by Chris Bryant and Allan G. Scott, was rejected and Paramount president Barry Diller suggested to Gene Roddenberry that he ought to take Star Trek back to its original context: a television series, which is how Phase II was born. The film was to be produced in England by Jerry Isenberg. Ironically, neither of them would ultimately launch. After the reassembled Enterprise crew gathered in the area, Kirk declared that Starfleet would send them back into space again, in response to an emergency that Riva knew nothing of and was therefore skeptical about. (The Star Trek Compendium, 4th ed., p. 151) In July, the studio decided to assign an executive producer. Full support and excitement. Growing closer during that assignment, they began to suspect that something evil lurked in the black hole. [1] That Kaufman was able to envision a different spin on Star Trek as was hitherto commonplace was due to the fact that the studio had, for the first time in the franchise's history, completely and intentionally kept Roddenberry utterly out of the loop, he being considered a nuisance to work with by the studio. Ages passed. The saucer section landed, without too much damage, in a graveyard of other spaceships, where many gigantic Starfleet vessels, all of them more highly advanced than those from the Enterprise's era, had previously crash-landed. On 28 April 1977, the Los Angeles Times suggested that the movie was still being written by Bryant and Scott but required a "significant overhaul" and was being postponed again, though the basic plot of the film would remain essentially intact. The Adam/McQuarrie Enterprise as well as McQuarries asteroid dock concept designs ended up becoming the basis for the introduction of the USS Discovery design from Star Trek: Discovery. Contrary to Spock's expectations, however, Kirk, Riva, and McCoy beamed down to meet with him. However, most men from the future had come to think of the headbands as unnecessary, superstitious gear, and their rejection of the mindscreen shields had caused their intelligence to be wiped by the creatures, turning these men into the Neanderthal ape-like forms seen earlier. Unexpectedly, they began to quarrel with the attackers, defending the creature. [6] The first teaser trailer for the series, released on on 23 July 2016 at the San Diego Comic-Con, constituted of early and unrefined visual effects, featured footage of the USS Discovery emerging from the McQuarrie inspired asteroid dock. ", USS Enterprise study model designed by Adam and McQuarrie for Planet of the Titans, ultimately seen in "Unification I" as the "B-24-CLN", All the names of screenwriters that Jon Povill had recommended were rejected in favor of two young, English writers: Chris Bryant and Allan Scott.